Egon Schiele
1890-1918 Austrian Egon Schiele Gallery Egon Schiele (12 June 1890 ?C 31 October 1918) was an Austrian painter, a protege of Gustav Klimt, and a major figurative painter of the early 20th century. Schiele's body of work is noted for the intensity and the large number of self-portraits he produced. The twisted body shapes and the expressive line that characterize Schiele's paintings and drawings make the artist an early exponent of Expressionism, although still strongly associated with the art nouveau movement (Jugendstil). The most important collection of Schiele's work is housed in the Leopold Museum, Vienna. In 1907, Schiele sought out Gustav Klimt. Klimt generously mentored younger artists, and he took a particular interest in the gifted young Schiele, buying his drawings, offering to exchange them for some of his own, arranging models for him and introducing him to potential patrons. He also introduced Schiele to the Wiener Werkstätte, the arts and crafts workshop connected with the Secession. In 1908 Schiele had his first exhibition, in Klosterneuburg. Schiele left the Academy in 1909, after completing his third year, and founded the Neukunstgruppe ("New Art Group") with other dissatisfied students. Sitzender weiblicher Akt, 1914Klimt invited Schiele to exhibit some of his work at the 1909 Vienna Kunstschau, where he encountered the work of Edvard Munch, Jan Toorop, and Vincent van Gogh among others. Once free of the constraints of the Academy's conventions, Schiele began to explore not only the human form, but also human sexuality. At the time, many found the explicitness of his works disturbing.

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Egon Schiele The Truth Unveiled oil painting


The Truth Unveiled
1913 Die Wahrheit wurde enthullt Gouache,watercolour and pencil 48.3x32.1cm
Painting ID::  22076
Egon Schiele
The Truth Unveiled
1913 Die Wahrheit wurde enthullt Gouache,watercolour and pencil 48.3x32.1cm
   
   
     

Egon Schiele Self-Portrait with Raised Arms,Back View (mk12) oil painting


Self-Portrait with Raised Arms,Back View (mk12)
1912 Selbstbildnis mit erhobenen Armen,Ruckenansicht Gouach and pencil 52x33cm
Painting ID::  22077
Egon Schiele
Self-Portrait with Raised Arms,Back View (mk12)
1912 Selbstbildnis mit erhobenen Armen,Ruckenansicht Gouach and pencil 52x33cm
   
   
     

Egon Schiele Self-Portrait with Black Clay Vase and Spread Fingers (mk12) oil painting


Self-Portrait with Black Clay Vase and Spread Fingers (mk12)
1911 Selbstbildnis mit schwarzem Tongefab und gespreizten Fingern Oil on wood 27.5x34cm
Painting ID::  22078
Egon Schiele
Self-Portrait with Black Clay Vase and Spread Fingers (mk12)
1911 Selbstbildnis mit schwarzem Tongefab und gespreizten Fingern Oil on wood 27.5x34cm
   
   
     

Egon Schiele Self-Portrait with Hand to Cheek (mk12) oil painting


Self-Portrait with Hand to Cheek (mk12)
1910 Selbstbildnis mit Hand an der Wange Gouache,watercolour and charcoal
Painting ID::  22079
Egon Schiele
Self-Portrait with Hand to Cheek (mk12)
1910 Selbstbildnis mit Hand an der Wange Gouache,watercolour and charcoal
   
   
     

Egon Schiele Self-Portrait in Black Cloak (mk12) oil painting


Self-Portrait in Black Cloak (mk12)
1911 Selbstbildnis masturbierend von schwarzer Dra-perie umhullt Gouache,watercolour and pencil 48x32.1cm
Painting ID::  22080
Egon Schiele
Self-Portrait in Black Cloak (mk12)
1911 Selbstbildnis masturbierend von schwarzer Dra-perie umhullt Gouache,watercolour and pencil 48x32.1cm
   
   
     

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     Egon Schiele
     1890-1918 Austrian Egon Schiele Gallery Egon Schiele (12 June 1890 ?C 31 October 1918) was an Austrian painter, a protege of Gustav Klimt, and a major figurative painter of the early 20th century. Schiele's body of work is noted for the intensity and the large number of self-portraits he produced. The twisted body shapes and the expressive line that characterize Schiele's paintings and drawings make the artist an early exponent of Expressionism, although still strongly associated with the art nouveau movement (Jugendstil). The most important collection of Schiele's work is housed in the Leopold Museum, Vienna. In 1907, Schiele sought out Gustav Klimt. Klimt generously mentored younger artists, and he took a particular interest in the gifted young Schiele, buying his drawings, offering to exchange them for some of his own, arranging models for him and introducing him to potential patrons. He also introduced Schiele to the Wiener Werkstätte, the arts and crafts workshop connected with the Secession. In 1908 Schiele had his first exhibition, in Klosterneuburg. Schiele left the Academy in 1909, after completing his third year, and founded the Neukunstgruppe ("New Art Group") with other dissatisfied students. Sitzender weiblicher Akt, 1914Klimt invited Schiele to exhibit some of his work at the 1909 Vienna Kunstschau, where he encountered the work of Edvard Munch, Jan Toorop, and Vincent van Gogh among others. Once free of the constraints of the Academy's conventions, Schiele began to explore not only the human form, but also human sexuality. At the time, many found the explicitness of his works disturbing.

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